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Fela Kuti





Fela is a man with contradictions. This is what makes him so fascinating. People who love him will forgive the flaws in him.

His songs are usually 20 minutes long or longer and are sung in a thick Pidgin English that is almost impossible to understand. His music is influenced primarily by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with horns and guitars.

He was a musician

Fela Kuti embodied that music can be a tool to change the world. His music was used to advocate for social, political and economic change. His influence can be present even today. Afrobeat is a form of music that blends African and Western influences. Its origins lie in West-African hip-life music and funk However, it has since evolved into its own genre.

His political activism was ferocious and he did it without fear. He used his music to protest against corruption in the government and human rights abuses. Songs such as "Zombie" and "Coffin for the Head of State" were bold criticisms of the Nigerian regime. The residence he lived in, Kalakuta Republic, as an enclave for political activism as well as an area for gathering with like-minded individuals.

The production includes a massive portrait featuring his late mother Funmilayo ransome-Kuti. She was a prominent feminist and activist. The actress who portrays her is Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also explores her political activism. Despite her deteriorating health, she refused to get checked for AIDS and instead chose traditional medicine.

He was a musician

The Fela Ransome Kuti was a complex man who used his music to effect political change. He is credited as the creator of afrobeat. It was an energetic mix of funk, dirty and traditional African rhythms. He was a vocal critic of Nigeria's religious and political leaders.

Growing up with an anti-colonial suffragist mom It's no surprise that Fela had a passion for social commentary and politics. His parents had hoped that he would become a doctor however, he had other ideas.

While he started in a more apolitical, highlife fashion, a trip in America would change his outlook forever. His music was profoundly affected by his exposure to Black Power movements and leaders such as Eldridge Clever and Malcolm X. He developed a philosophy of Pan-Africanism, that would influence and guide his later work.

He was a music producer

While in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. The experiences inspired him to establish an organization called the Movement of the People, and to compose songs that expressed his thoughts on black and political consciousness. His philosophy was expressed publicly through yabis, a form of that he described as 'freedom expression'. He also began to enforce strict moral codes for his band, such as refusing to receive medications from doctors trained in the West.

Fela returned to Nigeria and began to build his own club in Ikeja. The raids by officers and police were nearly constant. His hangers-on from Mosholashi-Idi-Oro repopulated the area surrounding the club with hard drugs, including the 'yamuna' and 'bana' (heroin). Fela maintained his integrity despite this. His music is a testimony to the determination with which he fought authority and demanded that the popular will be reflected in official objectives. It is a legacy that will last for generations.

He was a poet

Fela's music used sarcasm and humor to bring attention to economic and political issues in Nigeria. He also mocked his fans as well as the government and himself. He referred to himself during these shows as "the big dick on the small pond." The authorities took his jokes lightly, and he was repeatedly arrested and imprisoned. He was also beat by the authorities. He was eventually given the title Anikulapo, which means "he carries his death in his bag."

In 1977, Fela released a song called "Zombie" in which he compared soldiers to mindless zombies who followed orders without asking questions. The military was irritated by this and seized Kalakuta Republic. They burned it down and beat its inhabitants. During the raid, Fela’s mother was thrown from her second-floor apartment through a window.

In the years following the independence of Nigeria, Fela created Afrobeat, an genre of music that combines jazz and traditional African rhythm. His songs criticized European imperialism in culture and praised African traditional religions and cultures. He also criticized fellow Africans who violated their country's traditions. fela case settlements emphasized the importance of freedom and human rights.

He was a hip-hop artist

A trumpeter, saxophonist and composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was inspired by jazz, rock and roll and also traditional African music, chants, and music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work dramatically.

Fela's music was a political instrument upon his return to Nigeria. He criticized the government of his country and also argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human rights violations and was often detained for his criticism of the military.

Fela also sporadically advocated for the use of marijuana, known as "igbo" in Africa. He held "yabis" (public discussions) at Afrika Shrine where he would mock government officials and express his views on the freedom of expression as well as the beauty of women's bodies. Fela also had an entourage of young women who performed at his shows and also served as vocal backups for his vocalists.

He was a dancer

Fela was a master of musical fusion. He combined elements of beat music, and highlife into his own distinctive style. He was a renowned African musician and a vocal critic of colonial rule.

Despite being snatched and tortured by the Nigerian military junta, and witnessing his mother killed, Fela refused to leave the country. He died from complications due to AIDS in 1997.

Fela was a well-known political activist who was critical of the oppressive Nigerian Government and supported the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on fighting oppression from both colonial and government parties. He also advocated black power and criticised Christianity, Islam and other non-African imports for dividing the people of Africa. Shuffering and Smiling is the title track from a 1978 album. It is about overcrowded public buses full of people who are poor, "shuffering and smiling". Fela was a fierce enemy of religious hypocrisy. The music of Fela was in turn complemented by his dancers, who were lively elegant, sensual, and beautiful. Their contributions were as significant as Fela’s words.

He was a political activist

Fela Kuti utilized music as a tool to challenge oppressive authorities. He took his knowledge of American jazz and funk towards African patterns and rhythms, creating an edgy sound that was prepared for battle. Most of his songs begin with slow-burning instrumentals. He layers little riffs, long-lined melody lines and other elements until they explode with urgency.

Fela like many artists who were scared to discuss their political views, was fearless and unbending. He stood up for what he believed in even when it was risky. His mother, Funmilayo Ransome Kuti, was an avowed feminist who was the leader of the Nigerian Women's Movement. His father was both a protestant minister and the president of the teachers union.

He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided the Kalakuta Republic and destroyed property, as well as injuring Fela. He refused to give up and continued to speak out against the government. He died in 1997 from complications related to AIDS. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.

He was a father

Music is often viewed as a political act, with artists using lyrics to call for change. Some of the most powerful musical demonstrations aren't performed with words. Fela Kuti was one of them, and his music continues to ring out today. He was the first to pioneer Afrobeat that combines traditional African rhythms and harmonies with funk and jazz, inspired by artists like James Brown.

Funmilayo Ransome-Kuti, Fela's maternal grandmother, was an activist and unionist who stood up against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed Nigeria should serve its whole population.

Fela's son Seun is continuing his father's legacy, through a band called Egypt 80 that's touring the world this year. The Egypt 80's music combines the sounds of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released by the end of March. Many fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so large, that the police had to block the entrance.