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Roth’s work is in the permanent collection of the Museum of Modern Art, New York and has been exhibited at various institutions, including Centre Pompidou, Paris, France; Kunsthalle Wien, Vienna, Austria; Tate Modern, London, UK; and the front page of Youtube. He has received numerous awards, including the Golden Nica from Prix Ars Electronica, Rhizome/The New Museum commissions and the Smithsonian’s Cooper-Hewitt National Design Award. He also co-founded the arts organizations Graffiti Research Lab and the Free Art & Technology Lab.

Lindsay Lawson (b. 1982, Biloxi, USA) is an American artist based in Berlin. “Lindsay received her BFA in Sculpture from Virginia Commonwealth University, her MFA in New Genres from UCLA, and attended the Städelschule in Frankfurt am Main. games slot online Her first feature-length film, The Smiling Rock was shot in Berlin and is currently in post-production during residencies at Trinity Square Video in Toronto as a guest of the Goethe Institut as well as at 1646 in The Hague.

12 drawings (from a series of 14, each an edition of 5), India ink on paper, on view at the Electronic Superhighway exhibition at the Whitechapel Gallery, London until 15 May, thereafter by appointment at Carroll / Fletcher, London. Balducci, a recent graduate of Lewis & Clark College, compared income data from the 1990 Census with 1994 quarterly lottery sales in each Oregon ZIP code. And if that’s not special enough, Intertops.com is offering odds on all the bouts. Realizing the immense appeal of such match ups, Intertops quickly created several betting options for the online gambler. Further details of the artist’s archaeological quest, including his correspondence with Jennifer and John Knoll, can be found here. slots online The address bar functions in a similar manner to The Death of the URL (see also the browser History).

More emphasis is being placed on having a strong presence on Facebook, having pages and stories picked up by Reddit, Stumbleupon, and Twitter, while the idea that content is still published on its own website, more and more the ability to discover a website is being taken away from the individual. Nasty Nets was the first website to call itself an “internet surfing club”. Clear.gif is a collection of ten clear (transparent) gifs, artefacts from old web design technologies that enabled the layout of web pages; tangible yet invisible objects that separate and, hence, provide structure.

Constant Dullaart (b. 1979, Leiderdorp, Netherlands) studied at the Gerrit Rietveld Academie and Rijksakademie in Amsterdam. Anamorvista is an adaptation of Geometry of Circles, an animation with a soundtrack by Philip Glass created for Sesame Street. Dullaart has modified a YouTube player to make the video respond to the viewers’ mouse movements – as the viewer moves their mouse over the animation the image appears to flip and tilt within 3D space while the animation continues to play. A version of the original animation can be viewed here. The work was commissioned in 2012 by e-PERMANENT, the first in a series of online commissions exhibited on e-PERMANENT’s website. Contemporary Materialities or smth is Carroll/Fletcher’s first online exhibition (all the works in the show – apart from those already in collections – are for sale).

Ever since Nasty Nets ended, Paul Slocum and I have wanted to feel part of a strong surf community again. Over many phone calls our mutual feelings on surfing have solidified, and we have developed a philosophy of surfing that I will attempt to express here as part of the founding of a new surf club, spiritsurfers.net… [more here].” Kevin Bewersdorf, Spirit Surfing, 2008. As with clear.gif, Olia uses frames to direct our gaze, encouraging us to consider and celebrate the everyday objects and images of the internet – clouds, stars, silk and water –  – the vernacular or folk art of the internet. “I am in London, talking to ‘new media artist’ Jeremy Bailey in Canada via Skype. Two people, three cameras, at least five screens and one giant puddle.