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12 drawings (from a series of 14, each an edition of 5), India ink on paper, on view at the Electronic Superhighway exhibition at the Whitechapel Gallery, London until 15 May, thereafter by appointment at Carroll / Fletcher, London. Balducci, a recent graduate of Lewis & Clark College, compared income data from the 1990 Census with 1994 quarterly lottery sales in each Oregon ZIP code. And if that’s not special enough, Intertops.com is offering odds on all the bouts. Realizing the immense appeal of such match ups, Intertops quickly created several betting options for the online gambler. Further details of the artist’s archaeological quest, including his correspondence with Jennifer and John Knoll, can be found here. The address bar functions in a similar manner to The Death of the URL (see also the browser History). togel online

Lindsay Lawson (b. 1982, Biloxi, USA) is an American artist based in Berlin. “Lindsay received her BFA in Sculpture from Virginia Commonwealth University, her MFA in New Genres from UCLA, and attended the Städelschule in Frankfurt am Main. Her first feature-length film, The Smiling Rock  was shot in Berlin and is currently in post-production during residencies at Trinity Square Video in Toronto as a guest of the Goethe Institut as well as at 1646 in The Hague.

“There’s a battle going on… a battle to define everything that happens on the internet in terms of traditional things… Is sharing a video on BitTorrent like shoplifting from a movie store? Is reloading a webpage over and over again like a peaceful virtual sit-in or a violent smashing of shop windows? Is the freedom to connect like the freedom of speech or like the freedom to murder?

A buyer of the work receives the password and software to enable the decryption of the code embedded in the image, and documentation of the project (including a signed certificate of authenticity). Not long after, Dullaart created The Revolving Internet Google stopped supporting iframes (the software that enabled the disruptive detournement of the website). The artist found a work-around that ensured the works would continue to function. “One area of the Internet that I think is suffering in the current climate of social media, targeted search, and recommendation engines, is the ability for people to find a website on their own.

More emphasis is being placed on having a strong presence on Facebook, having pages and stories picked up by Reddit, Stumbleupon, and Twitter, while the idea that content is still published on its own website, more and more the ability to discover a website is being taken away from the individual. prediksi togel Nasty Nets was the first website to call itself an “internet surfing club”. Clear.gif is a collection of ten clear (transparent) gifs, artefacts from old web design technologies that enabled the layout of web pages; tangible yet invisible objects that separate and, hence, provide structure.

Roth’s work is in the permanent collection of the Museum of Modern Art, New York and has been exhibited at various institutions, including Centre Pompidou, Paris, France; Kunsthalle Wien, Vienna, Austria; Tate Modern, London, UK; and the front page of Youtube. He has received numerous awards, including the Golden Nica from Prix Ars Electronica, Rhizome/The New Museum commissions and the Smithsonian’s Cooper-Hewitt National Design Award. He also co-founded the arts organizations Graffiti Research Lab and the Free Art & Technology Lab.

Constant Dullaart (b. 1979, Leiderdorp, Netherlands) studied at the Gerrit Rietveld Academie and Rijksakademie in Amsterdam. Anamorvista is an adaptation of Geometry of Circles, an animation with a soundtrack by Philip Glass created for Sesame Street. Dullaart has modified a YouTube player to make the video respond to the viewers’ mouse movements – as the viewer moves their mouse over the animation the image appears to flip and tilt within 3D space while the animation continues to play. A version of the original animation can be viewed here. The work was commissioned in 2012 by e-PERMANENT, the first in a series of online commissions exhibited on e-PERMANENT’s website. Contemporary Materialities or smth is Carroll/Fletcher’s first online exhibition (all the works in the show – apart from those already in collections – are for sale).